This past weekend held much magic and wonder:
- An early-morning bike ride in which the day slowly revealed itself
- The first hammock sit/read of the year
- An incorporation of Mary Oliver poetry into a Lenten reflection
- A pitch-perfect Passion Sunday Liturgy
- A gearing-up for Holy Week via practices and anticipatory Spirit
- A birthday celebration gathering/garden blessing/friend sing-along
It was just lovely.
Allan Peterson
How orb-weavers patch up the air in places
like fibrinogen, or live in the fence lock.
How the broom holds lizards.
How if you stand back you will miss them
afflicted by sunset,
the digger bees mining the yard,
birds too fast to have shadows,
the life that lives in the wren whistle.
You will see moth-clouds
that are moving breaths
and perhaps something like the star
that fell on Alabama
through the roof of Mrs. E. Hulitt Hodges
and hit her radio, then her.
No, you must be close for the real story.
I remember being made
to stand in the corner for punishment
because it would be dull and empty
and I would be sorry.
But instead it was a museum of small wonders,
a place of three walls
with a weather my breath influenced,
an archaeology of layers, of painted molding,
a meadow as we called them then
of repeatable pale roses,
an eight-eyed spider in a tear of wallpaper
turning my corner.
The texture. The soft echo if I talked,
if I said I am not bad if this is the world.
How orb-weavers patch up the air in places
like fibrinogen, or live in the fence lock.
How the broom holds lizards.
How if you stand back you will miss them
afflicted by sunset,
the digger bees mining the yard,
birds too fast to have shadows,
the life that lives in the wren whistle.
You will see moth-clouds
that are moving breaths
and perhaps something like the star
that fell on Alabama
through the roof of Mrs. E. Hulitt Hodges
and hit her radio, then her.
No, you must be close for the real story.
I remember being made
to stand in the corner for punishment
because it would be dull and empty
and I would be sorry.
But instead it was a museum of small wonders,
a place of three walls
with a weather my breath influenced,
an archaeology of layers, of painted molding,
a meadow as we called them then
of repeatable pale roses,
an eight-eyed spider in a tear of wallpaper
turning my corner.
The texture. The soft echo if I talked,
if I said I am not bad if this is the world.
Let us seek and find the smallest of wonders in this holiest of weeks.
Let us walk in the holy presence.
